These Ads Cleverly Remind You Never to Say Sorry to Parents of Babies With Down Syndrome

FCB's latest work for the Canadian Down Syndrome Society

Canadian Down Syndrome Society

Word to the wise: Never say you’re sorry when a baby is born with Down syndrome.

The Canadian Down Syndrome Society delivered that message last year in “Anything But Sorry,” a memorable campaign featuring young people with the genetic disorder who explained—in funny, frequently profane fashion—why, in their community, “sorry” is often a word best avoided.

Now, ahead of World Down Syndrome Day on Wednesday, the stars of last year’s ads return, doubling down in spots that, at times, mimic content ratings to warn against “the S-word.”

They point out that you’ll get lots of other chances to say you’re sorry as you go about the business of life—for example, when you forget somebody’s birthday, arrive late for an important occasion or take the last slice of pizza.

Save “sorry,” they say, for times when you really mess up.

“The main campaign idea has remained the same” from last year, says Nancy Crimi-Lamanna, co-creative chief at FCB Canada, which developed the push. “But this time, we came at the problem differently, turning our attention to how we could use media in a creative way to reinforce the same message and behavior. This led us to target the most popular YouTube videos with the word ‘sorry,’ and intercepting them with a warning about so-called ‘inappropriate’ language: the ‘S word.'”

So, beyond the video above, the agency created brief pre-rolls. These will play before videos including Justin Bieber’s “Sorry,” Demi Lovato’s “Sorry Not Sorry,” clips of Denver the Guilty Dog and various movie trailers. Bieber and Lovato also show up in a CDSS-branded Spotify playlist of songs deemed “inappropriate” because “sorry” appears in the lyrics.

“We embraced the fact that pre-roll is fast, so the ‘S Warning’ concept, like a real language warning, was designed to be consumed quickly as a 6-second bumper or 15-second pre-roll,” says agency co-creative chief Jeff Hilts. “Rather than seeing the fast nature of pre-roll as a handcuff, we turned it into a creative opportunity to make as strong an impact in less time.”

Some of the campaign’s performers debuted in ads for the CDSS in 2016, starring in the group’s Cannes Lion-winning “Down Syndrome Answers” initiative.

Understandably, these efforts have been widely praised, and the creative team believes that hyper-focusing on “sorry” as a bad word speaks volumes about broader concepts such as acceptance, dignity and love.

“By focusing on one thing—educating people on why ‘sorry’ is a bad word—we felt we’d have a better chance of changing the behavior,” says Hilts.

“Parents frequently cited the negative reactions of people pitying them and their new baby as being the most hurtful type of comment they received,” adds FCB strategy director Eryn LeMesurier. “‘Sorry’ was a word that really summed up these types of negative reactions that parents wanted to change.”

UPDATE: Some folks have pointed out similarities with this YWCA campaign. Fair enough. Actually, the whole “ratings” play itself has been done many times for different clients. In the ad game, there’s no such thing as “O” for original.

Campaign Title: Anything But Sorry: S-Warnings
Client: Canadian Down Syndrome Society

Canadian Down Syndrome Society

Chair, Board of Directors: Laura LaChance
Vice-Chair, Board of Directors: Ed Casagrande
Member, Board of Directors: Ben Tarr
National Executive Director: Kirk Crowther
Communications Manager: Heather Turnbull
Resource Coordinator: Carlee Reardon

Creative Agency: FCB Canada

Chief Creative Officer: Nancy Crimi-Lamanna, Jeff Hilts
Group Creative Director: Andrew MacPhee
Sr. Copywriter: Marty Hoefkes
Sr. Art Director: Michael Morelli
Art Director: Alisa Sera Garcia
Copywriter: Jon Frier, Morgan Wroot

Account Management
Chief Executive Officer: Tyler Turnbull
VP, Managing Director: Tracy Little, Ricky Jacobs
Group Account Director: Ravi Singh
Account Supervisor: Olivia Selbie
Director of Integrated Production: Stef Fabich
Broadcast Producer: Lorrie Zwer
Chief Strategy Officer: Shelley Brown
Planning Director: Eryn LeMesurier
Strategist: Shelagh Hartford

Project Management
Project Manager: Ashley Whitaker
Project Manager: Elizabeth Lane

Technology & Development
Director of Technology: Madara Ranawake
Front End Developer: Florian Adu-Gyamfi
Jr. QA Analyst: Peter Panchine
Sr. Manager of Analytics: Andrew Yang

Production Credits
Director & DOP: Scott Drucker
Camera: Chet Tilokani
Line Producer: Bill Hussey
Sound: Stewart McLean
Hair and Make Up: Carla McKeever
Editing House: Rooster Post Production
Executive Producer: Yumi Suyama
Editor: Chris Parkins
Assistant Editor: Joey Whitelaw

Transfer Facility: The Vanity

Colorist: Andrew Exworth

Online Facility: Fort York

Flame Artist: Andrew Rolfe
Assistant Flame Artist: Kevin Asis
Producer: Armen Bunag

Music House: Grayson Matthews / Vapor RMW

PR: Shannon Stephaniuk, Glossy

Communications Design Manager, Initiative: Kaitlin Sylvester
President, Initiative: Helen Galanis
VP of Investment, IPG Mediabrands: Bailey Wilson
VP Client Business Partner, UM: Robert Perri

Media Partners
Corus Entertainment
Spotify Canada
Bell Media

@DaveGian David Gianatasio is a longtime contributor to Adweek, where he has been a writer and editor for two decades. Previously serving as Adweek's New England bureau chief and web editor, he remains based in Boston.
Publish date: March 20, 2018 © 2020 Adweek, LLC. - All Rights Reserved and NOT FOR REPRINT